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- 2008012512 contributor B11085909.
- 2008012512 created "c2008.".
- 2008012512 date "2008".
- 2008012512 date "c2008.".
- 2008012512 dateCopyrighted "c2008.".
- 2008012512 description "'The slave who paints': beginnings and the visual arts tradition -- 'Establishing an art era' in the Harlem renaissance -- Struggle, survival and early abstraction -- 'Images are weapons': history, narrative and a people's art -- 'Art comes to have a life of its own': aesthetics, experimentation and a new visual language -- 'Racist pathology is the muck': towards a transgressive visual poetics.".
- 2008012512 description "Includes bibliographical references (p. 234-257) and index.".
- 2008012512 extent "xii, 264 p., 16 p. of plates :".
- 2008012512 identifier "0807859338 (pbk. : alk. paper)".
- 2008012512 identifier "9780807859339 (pbk. : alk. paper)".
- 2008012512 identifier 2008012512.html.
- 2008012512 issued "2008".
- 2008012512 issued "c2008.".
- 2008012512 language "eng".
- 2008012512 publisher "Chapel Hill : University of North Carolina Press,".
- 2008012512 subject "700.89/96073 22".
- 2008012512 subject "African American art.".
- 2008012512 subject "N6538.N5 B47 2008".
- 2008012512 tableOfContents "'The slave who paints': beginnings and the visual arts tradition -- 'Establishing an art era' in the Harlem renaissance -- Struggle, survival and early abstraction -- 'Images are weapons': history, narrative and a people's art -- 'Art comes to have a life of its own': aesthetics, experimentation and a new visual language -- 'Racist pathology is the muck': towards a transgressive visual poetics.".
- 2008012512 title "African American visual arts : from slavery to the present / Celeste-Marie Bernier.".
- 2008012512 type "text".