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- 2008016019 contributor B11090076.
- 2008016019 created "c2008.".
- 2008016019 date "2008".
- 2008016019 date "c2008.".
- 2008016019 dateCopyrighted "c2008.".
- 2008016019 description "As Hollywood turned : expansion, exhibition, codes, and directors at mid-decade -- A new audience for the now movie : film societies, the college campus, the American Film Institute and making film art -- The graduate : representing a generation -- Alice's restaurant : constructing hippie folk and legitimizing revolutionary distinction -- Back in the saddle again : men, westerns, hippies, and Easy rider -- Under the influence : representing masculinity in Midnight cowboy -- No icon left unturned : M*A*S*H and the project of antiestablishment -- Out of the saddle, into the seventies : gender in McCabe and Mrs. Miller -- What's sex got to do with it? Carnal knowledge and the delusion of telling it like it is -- Forever native: Penn's new authentics in Little Big Man -- The Godfather films as America -- Conclusion : cinematic anarchists go generic.".
- 2008016019 description "Includes bibliographical references (p. 237-252) and index.".
- 2008016019 extent "vii, 255 p. :".
- 2008016019 identifier "0786433418 (softcover : alk. paper)".
- 2008016019 identifier "9780786433414 (softcover : alk. paper)".
- 2008016019 identifier 2008016019.html.
- 2008016019 issued "2008".
- 2008016019 issued "c2008.".
- 2008016019 language "eng".
- 2008016019 publisher "Jefferson, N.C. : McFarland,".
- 2008016019 spatial "United States".
- 2008016019 spatial "United States.".
- 2008016019 subject "791.430973 22".
- 2008016019 subject "Motion pictures Social aspects United States.".
- 2008016019 subject "Motion pictures United States History 20th century.".
- 2008016019 subject "PN1993.5.U6 B294 2008".
- 2008016019 tableOfContents "As Hollywood turned : expansion, exhibition, codes, and directors at mid-decade -- A new audience for the now movie : film societies, the college campus, the American Film Institute and making film art -- The graduate : representing a generation -- Alice's restaurant : constructing hippie folk and legitimizing revolutionary distinction -- Back in the saddle again : men, westerns, hippies, and Easy rider -- Under the influence : representing masculinity in Midnight cowboy -- No icon left unturned : M*A*S*H and the project of antiestablishment -- Out of the saddle, into the seventies : gender in McCabe and Mrs. Miller -- What's sex got to do with it? Carnal knowledge and the delusion of telling it like it is -- Forever native: Penn's new authentics in Little Big Man -- The Godfather films as America -- Conclusion : cinematic anarchists go generic.".
- 2008016019 title "Camera and action : American film as agent of social change, 1965-1975 / Elaine M. Bapis.".
- 2008016019 type "text".