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- 2008048657 contributor B11129745.
- 2008048657 created "2009.".
- 2008048657 date "2009".
- 2008048657 date "2009.".
- 2008048657 dateCopyrighted "2009.".
- 2008048657 description "Includes bibliographical references (p. 189-196) and index.".
- 2008048657 description "Introduction: vamping til ready -- Movement I: Three ways of looking at a yardbird: Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and Le Roi Jones/Amiri Baraka -- Movement II: Black is, black ain't: violence, black masculinity, and the novel as democratic symbol -- Movement III: Cutting session: Baldwin as intellectual prizefighter, Baldwin as improvising intellectual -- Movement IV: Improvising over the changes: improvisation as intellectual and aesthetic practice in the transitional poems of Le Roi Jones/Amiri Baraka -- Coda.".
- 2008048657 extent "xi, 216 p. ;".
- 2008048657 identifier "0226554236 (cloth : alk. paper)".
- 2008048657 identifier "0226554244 (pbk. : alk. paper)".
- 2008048657 identifier "9780226554235 (cloth : alk. paper)".
- 2008048657 identifier "9780226554242 (pbk. : alk. paper)".
- 2008048657 issued "2009".
- 2008048657 issued "2009.".
- 2008048657 language "eng".
- 2008048657 publisher "Chicago : University of Chicago Press,".
- 2008048657 subject "810.9/3578 22".
- 2008048657 subject "American literature African American authors History and criticism.".
- 2008048657 subject "Baldwin, James, 1924-1987 Criticism and interpretation.".
- 2008048657 subject "Baraka, Amiri, 1934- Criticism and interpretation.".
- 2008048657 subject "Ellison, Ralph Criticism and interpretation.".
- 2008048657 subject "Improvisation (Music)".
- 2008048657 subject "Jazz History and criticism.".
- 2008048657 subject "Jazz in literature.".
- 2008048657 subject "PS153.N5 M89 2009".
- 2008048657 tableOfContents "Introduction: vamping til ready -- Movement I: Three ways of looking at a yardbird: Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and Le Roi Jones/Amiri Baraka -- Movement II: Black is, black ain't: violence, black masculinity, and the novel as democratic symbol -- Movement III: Cutting session: Baldwin as intellectual prizefighter, Baldwin as improvising intellectual -- Movement IV: Improvising over the changes: improvisation as intellectual and aesthetic practice in the transitional poems of Le Roi Jones/Amiri Baraka -- Coda.".
- 2008048657 title "The shadow and the act : black intellectual practice, jazz improvisation, and philosophical pragmatism / Walton M. Muyumba.".
- 2008048657 type "text".