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- 2008056114 contributor B11138842.
- 2008056114 created "2009.".
- 2008056114 date "2009".
- 2008056114 date "2009.".
- 2008056114 dateCopyrighted "2009.".
- 2008056114 description "Includes bibliographical references (p. 257-280), filmography, and indexes.".
- 2008056114 description "Introduction -- Post-traumatic cinema -- Post-traumatic new German cinema after World War II. Identity, identification, and sexuality -- Three complexes: continuity, authenticity and masculinity -- Mourning work, undermining melancholy -- Gender and excesses of the past -- Mutant sexuality -- Three models: infantile asexual, utopian bisexual, transsexual -- The infantile asexual model -- Description of the model -- Kaspar: the genderless body -- Oskar: the body, the drum, the voice -- Two faces of revolt, one body -- Redemption through mirror relations: Paris, Texas -- The utopian bisexual model -- Description of the model -- The journey into childhood: Kings of the road -- The transsexual model -- Description of the model -- Disembodied voice -- Post-traumatic NGC models -- Return of the displaced -- Subverting the paradigm of mourning work -- NGC: radicalism towards the past -- Neither betrayal of the fatherland nor heimat -- Between narrative fetishism and body memory -- Multifaceted reflexivity -- Return of history as body -- American post-traumatic cinema in the aftermath of the Vietnam War. Captivity, crisis, and fantasy -- Dialectics of defeat: from hunter to captive -- Oedipal structures, fraternal structures: patricide, fratricide -- Masculinity without symbolization -- Sexuality -- Motifs in Vietnam War films -- Three models: asexual hyper-masculine, homoerotic, impotent -- The asexual hyper-masculine model -- Description of the model -- The deer hunter -- Defeated masculinity and the negation of history -- Rescue vs. asexuality: Rambo, Braddock, Forrest -- Murderer vs. the other: Taxi driver -- The tortured body -- The homoerotic model -- Description of the model -- Patricide and failure: Full metal jacket -- Destroying fraternal masculinity in order to save it: Platoon -- The impotent model -- Description of the model -- Radical sexuality in Coming home -- The abjected to the symbolic body: Born on the 4th of July -- Adaptation-subversion -- Post-traumatic Vietnam War cinema models -- Conclusion.".
- 2008056114 extent "294 p. :".
- 2008056114 identifier "9789052014692".
- 2008056114 isPartOf "Rethinking cinema : 1379-8391 ; no. 4".
- 2008056114 issued "2009".
- 2008056114 issued "2009.".
- 2008056114 language "eng".
- 2008056114 publisher "Bruxelles ; New York : P.I.E. Peter Lang,".
- 2008056114 spatial "Germany".
- 2008056114 spatial "United States".
- 2008056114 subject "791.43/653 22".
- 2008056114 subject "Defeat (Psychology) in motion pictures.".
- 2008056114 subject "Masculinity in motion pictures.".
- 2008056114 subject "Motion pictures Germany History 20th century.".
- 2008056114 subject "Motion pictures United States History 20th century.".
- 2008056114 subject "PN1995.9.M34 M67 2009".
- 2008056114 subject "Psychic trauma in motion pictures.".
- 2008056114 subject "Vietnam War, 1961-1975 Influence.".
- 2008056114 subject "Vietnam War, 1961-1975 Motion pictures and the war.".
- 2008056114 subject "World War, 1939-1945 Influence.".
- 2008056114 subject "World War, 1939-1945 Motion pictures and the war.".
- 2008056114 tableOfContents "Introduction -- Post-traumatic cinema -- Post-traumatic new German cinema after World War II. Identity, identification, and sexuality -- Three complexes: continuity, authenticity and masculinity -- Mourning work, undermining melancholy -- Gender and excesses of the past -- Mutant sexuality -- Three models: infantile asexual, utopian bisexual, transsexual -- The infantile asexual model -- Description of the model -- Kaspar: the genderless body -- Oskar: the body, the drum, the voice -- Two faces of revolt, one body -- Redemption through mirror relations: Paris, Texas -- The utopian bisexual model -- Description of the model -- The journey into childhood: Kings of the road -- The transsexual model -- Description of the model -- Disembodied voice -- Post-traumatic NGC models -- Return of the displaced -- Subverting the paradigm of mourning work -- NGC: radicalism towards the past -- Neither betrayal of the fatherland nor heimat -- Between narrative fetishism and body memory -- Multifaceted reflexivity -- Return of history as body -- American post-traumatic cinema in the aftermath of the Vietnam War. Captivity, crisis, and fantasy -- Dialectics of defeat: from hunter to captive -- Oedipal structures, fraternal structures: patricide, fratricide -- Masculinity without symbolization -- Sexuality -- Motifs in Vietnam War films -- Three models: asexual hyper-masculine, homoerotic, impotent -- The asexual hyper-masculine model -- Description of the model -- The deer hunter -- Defeated masculinity and the negation of history -- Rescue vs. asexuality: Rambo, Braddock, Forrest -- Murderer vs. the other: Taxi driver -- The tortured body -- The homoerotic model -- Description of the model -- Patricide and failure: Full metal jacket -- Destroying fraternal masculinity in order to save it: Platoon -- The impotent model -- Description of the model -- Radical sexuality in Coming home -- The abjected to the symbolic body: Born on the 4th of July -- Adaptation-subversion -- Post-traumatic Vietnam War cinema models -- Conclusion.".
- 2008056114 title "Defeated masculinity : post-traumatic cinema in the aftermath of war / Raya Morag.".
- 2008056114 type "text".