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- 2008544479 contributor B11349701.
- 2008544479 contributor B11349702.
- 2008544479 created "1990.".
- 2008544479 date "1990".
- 2008544479 date "1990.".
- 2008544479 dateCopyrighted "1990.".
- 2008544479 description "Includes bibliographic references.".
- 2008544479 description "The first cleaning controversy at the National Gallery 1846-1853 -- Long lost relations and new found relativities: issues in the cleaning of paintings -- Looking at Leonardo's Last Supper -- Texture and application: preserving the evidence in oil painting -- Paul Gauguin's paintings of late 1888: reconstructing the artist's aims from technical and documentary evidence -- Constancy and change in late nineteenth century French painting -- Art historical and technical evaluation of works by three nineteenth century artists: Allston, Whistler and Ryder -- Gluck and the quality of artists' materials: the suede effect -- Restoring the English icon: portraits by William Larkin, 1610-1619 -- Drying crackle in early and mid eighteenth century British painting -- Turner's oil paintings: changes in appearance -- The artists anticipation of change as discussed in British nineteenth century instruction books on oil painting -- Detecting and measuring colour changes in paintings at the National Gallery -- Changes in the appearance of paintings by John Constable -- Hanging fragments: the case of Turner's oeuvre.".
- 2008544479 extent "92 p. :".
- 2008544479 identifier "1871656095".
- 2008544479 identifier "9781871656091".
- 2008544479 issued "1990".
- 2008544479 issued "1990.".
- 2008544479 language "eng".
- 2008544479 publisher "London : United Kingdom Institute for Conservation,".
- 2008544479 spatial "Great Britain.".
- 2008544479 subject "Constable, John, 1776-1837.".
- 2008544479 subject "Larkin, William.".
- 2008544479 subject "Londres Congrès 1990.".
- 2008544479 subject "ND1630 .A65 1990".
- 2008544479 subject "Painting Conservation and restoration Great Britain.".
- 2008544479 subject "Peinture Conservation et restauration Congrès. ram".
- 2008544479 subject "Turner, J. M. W. (Joseph Mallord William), 1775-1851.".
- 2008544479 tableOfContents "The first cleaning controversy at the National Gallery 1846-1853 -- Long lost relations and new found relativities: issues in the cleaning of paintings -- Looking at Leonardo's Last Supper -- Texture and application: preserving the evidence in oil painting -- Paul Gauguin's paintings of late 1888: reconstructing the artist's aims from technical and documentary evidence -- Constancy and change in late nineteenth century French painting -- Art historical and technical evaluation of works by three nineteenth century artists: Allston, Whistler and Ryder -- Gluck and the quality of artists' materials: the suede effect -- Restoring the English icon: portraits by William Larkin, 1610-1619 -- Drying crackle in early and mid eighteenth century British painting -- Turner's oil paintings: changes in appearance -- The artists anticipation of change as discussed in British nineteenth century instruction books on oil painting -- Detecting and measuring colour changes in paintings at the National Gallery -- Changes in the appearance of paintings by John Constable -- Hanging fragments: the case of Turner's oeuvre.".
- 2008544479 title "Appearance, opinion, change : evaluating the look of paintings : papers given at a conference held jointly by the United Kingdom Institute for Conservation and the Association of Art Historians, June 1990 / production editor, Victoria Todd.".
- 2008544479 type "text".