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- 2009036518 contributor B11436796.
- 2009036518 created "2010.".
- 2009036518 date "2010".
- 2009036518 date "2010.".
- 2009036518 dateCopyrighted "2010.".
- 2009036518 description "Includes bibliographical references (p. [179]-189), discography (p.[191]-193), and index.".
- 2009036518 description "Sign. Listening to signs in post-Schaefferian electroacoustic music ; Material as sign in electronica -- Object. Minimal objects in microsound ; Maximal objects in drone music, dub techno, and noise -- Situation. Site in ambient, soundscape, and field recordings ; Genre, experimentalism, and the musical frame.".
- 2009036518 extent "201 p. ;".
- 2009036518 identifier "0195387651 (alk. paper)".
- 2009036518 identifier "019538766X (alk. paper)".
- 2009036518 identifier "9780195387650 (alk. paper)".
- 2009036518 identifier "9780195387667 (alk. paper)".
- 2009036518 issued "2010".
- 2009036518 issued "2010.".
- 2009036518 language "eng".
- 2009036518 publisher "Oxford ; New York : Oxford University Press,".
- 2009036518 subject "786.7/117 22".
- 2009036518 subject "Avant-garde (Music)".
- 2009036518 subject "Electronic music History and criticism.".
- 2009036518 subject "ML1380 .D45 2010".
- 2009036518 subject "Music Philosophy and aesthetics.".
- 2009036518 subject "Music and technology.".
- 2009036518 tableOfContents "Sign. Listening to signs in post-Schaefferian electroacoustic music ; Material as sign in electronica -- Object. Minimal objects in microsound ; Maximal objects in drone music, dub techno, and noise -- Situation. Site in ambient, soundscape, and field recordings ; Genre, experimentalism, and the musical frame.".
- 2009036518 title "Listening through the noise : the aesthetics of experimental electronic music / Joanna Demers.".
- 2009036518 type "text".