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- 2009483843 contributor B11656855.
- 2009483843 contributor B11656856.
- 2009483843 created "c2008.".
- 2009483843 date "2008".
- 2009483843 date "c2008.".
- 2009483843 dateCopyrighted "c2008.".
- 2009483843 description "'The slave who paints': beginnings and the visual arts tradition -- 'Establishing an art era' in the Harlem renaissance -- Struggle, survival and early abstraction -- 'Images are weapons': history, narrative and a people's art -- 'Art comes to have a life of its own': aesthetics, experimentation and a new visual language -- 'Racist pathology is the muck': towards a transgressive visual poetics.".
- 2009483843 description "Includes bibliographical references (p. 234-257) and index.".
- 2009483843 extent "xii, 264 p., 16 p. of plates :".
- 2009483843 identifier "0748623566 (pbk.)".
- 2009483843 identifier "9780748623563 (pbk.)".
- 2009483843 isPartOf "BAAS paperbacks".
- 2009483843 issued "2008".
- 2009483843 issued "c2008.".
- 2009483843 language "eng".
- 2009483843 publisher "Edinburgh : Edinburgh University Press,".
- 2009483843 subject "704.03/96073 22".
- 2009483843 subject "African American art.".
- 2009483843 subject "N6538.N5 B47 2008b".
- 2009483843 tableOfContents "'The slave who paints': beginnings and the visual arts tradition -- 'Establishing an art era' in the Harlem renaissance -- Struggle, survival and early abstraction -- 'Images are weapons': history, narrative and a people's art -- 'Art comes to have a life of its own': aesthetics, experimentation and a new visual language -- 'Racist pathology is the muck': towards a transgressive visual poetics.".
- 2009483843 title "African American visual arts / Celeste-Marie Bernier.".
- 2009483843 type "text".