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- 2010007412 contributor B11745445.
- 2010007412 created "2010.".
- 2010007412 date "2010".
- 2010007412 date "2010.".
- 2010007412 dateCopyrighted "2010.".
- 2010007412 description "Includes bibliographical references and index.".
- 2010007412 description "Machine generated contents note: Notes on Contributors -- Introduction: What can Performance Do For Us?; S.Werner -- PART I: WORKING WITH THE EPHEMERAL -- One Piece at a Time; R.Shaughnessy -- Replaying Early Modern Performances; W.N.West -- Acts of Seizure: A Theatrical Poetics of Metonymy and Metaphor; C.Cobb -- PART II: BREAKING DOWN BOUNDARIES -- Page and Stage Again: Rethinking Renaissance Character Phenomenologically; A.J.Hartley -- Original Practices and Revolutionary Nostalgia; P.Menzer -- Spreading the Shakespeare Gospel, or, The Missionary Position in Modern Performance Criticism; J.Lopez -- PART III: RESITUATING SHAKESPEARE -- Performance Criticism Without Performance: The Study of Non-Shakespearean Drama; G.Love -- Performing Relevance: Shakespeare and Early Modern Drama on the Modern Stage; E.Smith -- Shakespeare and Our Contemporaries; B.Escolme -- 'Ay, there's the rub': Race and Performance Studies; A.Thompson -- Afterword: Performing the 'Live': Cinema, Simulation, and the Death of the Real in Alex Cox's Revengers' Tragedy; C.Lehmann -- Index.".
- 2010007412 extent "x, 226 p. ;".
- 2010007412 identifier "0230205305 (hardback)".
- 2010007412 identifier "9780230205307 (hardback)".
- 2010007412 issued "2010".
- 2010007412 issued "2010.".
- 2010007412 language "eng".
- 2010007412 publisher "Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan,".
- 2010007412 subject "792.9/5 22".
- 2010007412 subject "PR3091 .N49 2010".
- 2010007412 subject "Shakespeare, William, 1564-1616 Dramatic production.".
- 2010007412 subject "Shakespeare, William, 1564-1616 Stage history.".
- 2010007412 subject "Theater Production and direction.".
- 2010007412 tableOfContents "Machine generated contents note: Notes on Contributors -- Introduction: What can Performance Do For Us?; S.Werner -- PART I: WORKING WITH THE EPHEMERAL -- One Piece at a Time; R.Shaughnessy -- Replaying Early Modern Performances; W.N.West -- Acts of Seizure: A Theatrical Poetics of Metonymy and Metaphor; C.Cobb -- PART II: BREAKING DOWN BOUNDARIES -- Page and Stage Again: Rethinking Renaissance Character Phenomenologically; A.J.Hartley -- Original Practices and Revolutionary Nostalgia; P.Menzer -- Spreading the Shakespeare Gospel, or, The Missionary Position in Modern Performance Criticism; J.Lopez -- PART III: RESITUATING SHAKESPEARE -- Performance Criticism Without Performance: The Study of Non-Shakespearean Drama; G.Love -- Performing Relevance: Shakespeare and Early Modern Drama on the Modern Stage; E.Smith -- Shakespeare and Our Contemporaries; B.Escolme -- 'Ay, there's the rub': Race and Performance Studies; A.Thompson -- Afterword: Performing the 'Live': Cinema, Simulation, and the Death of the Real in Alex Cox's Revengers' Tragedy; C.Lehmann -- Index.".
- 2010007412 title "New directions in Renaissance drama and performance studies / edited by Sarah Werner.".
- 2010007412 type "text".