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Matches in Library of Congress for { <http://lccn.loc.gov/2010022316> ?p ?o. }

• 2010022316 contributor B11763389.
• 2010022316 created "c2011.".
• 2010022316 date "2011".
• 2010022316 date "c2011.".
• 2010022316 dateCopyrighted "c2011.".
• 2010022316 description "Includes bibliographical references (p. [345]-367) and index.".
• 2010022316 description "Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.".
• 2010022316 extent "ix, 390 p. :".
• 2010022316 identifier "0253354617 (cloth : alk. paper)".
• 2010022316 identifier "9780253354617 (cloth : alk. paper)".
• 2010022316 isPartOf "Music and the early modern imagination".
• 2010022316 isPartOf "Music and the early modern imagination.".
• 2010022316 isPartOf "Musical meaning and interpretation".
• 2010022316 isPartOf "Musical meaning and interpretation.".
• 2010022316 issued "2011".
• 2010022316 issued "c2011.".
• 2010022316 language "eng".
• 2010022316 publisher "Bloomington : Indiana University Press,".
• 2010022316 spatial "France".
• 2010022316 subject "782.4/3094409032 22".
• 2010022316 subject "Love in music.".
• 2010022316 subject "Love songs France 17th century History and criticism.".
• 2010022316 subject "ML270.2 .G67 2011".
• 2010022316 subject "Music France 17th century History and criticism.".
• 2010022316 tableOfContents "Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.".
• 2010022316 title "Music and the language of love : seventeenth-century French airs / Catherine Gordon-Seifert.".
• 2010022316 type "text".