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- 2011004364 contributor B12104500.
- 2011004364 created "2011.".
- 2011004364 date "2011".
- 2011004364 date "2011.".
- 2011004364 dateCopyrighted "2011.".
- 2011004364 description "Machine generated contents note: -- Introduction: 'A monarch in writing'; A.Petrina -- Prologue: 'I am Richard the Second'; S.Orgel -- PART I: THE WORD OF A PRINCE: ELIZABETH WRITING -- The Queen's two hands; J.Gibson -- Mary Stuart's Execution and Queen Elizabeth's Divided Self; P.Baseotto -- 'Ma plume vous pourra exprimer': Elizabeth's French Correspondance ; G.Coatalen -- 'Most peereles Poëtresse': The Manuscript Circulation of Elizabeth's Poems; C.Bajetta -- PART II: WE PRINCES ARE SET ON STAGES: MASQUES AND CEREMONIES OF ROYAL SELF-DISPLAY -- The Monarch as Represented in the Ceremony of Coronation; J.Dillon -- Elizabeth's Presence in the Jacobean Masque; E.Botonaki -- Lady of the Lake or Queen of the Ocean? The Representation of Female Power in Prince Henry's Barriers and Tethys' Festival; S.Trevisan -- PART III: IN MIRRORS MORE THAN ONE: ELIZABETH AND REPRESENTATIONS OF FEMALE SOVEREIGNTY -- Performing the Apocalypse: Sibylline Prophecy and Elizabeth I; J.L.Malay -- Under Italian eyes: Petruccio Ubaldini's Verbal Portraits of Queen Elizabeth; G.Iamartino -- Never a Merry World: The Rhetoric of Nostalgia in Elizabethan England; K.Johanson -- No Country for Old Women?; Y.Oram -- 'A queen in jest': Queenship and Historical Subversion in Shakespeare's 3 Henry VI and Richard III; K.Mudan -- Mirrors for Female Rulers: Elizabeth I and the Duchess of Malfi; L.Tosi -- Index.".
- 2011004364 extent "xv, 281 p. :".
- 2011004364 identifier "9780230278172 (hardback)".
- 2011004364 issued "2011".
- 2011004364 issued "2011.".
- 2011004364 language "eng".
- 2011004364 publisher "New York : Palgrave Macmillan,".
- 2011004364 subject "820.9/351 22".
- 2011004364 subject "Elizabeth I, Queen of England, 1533-1603 In literature.".
- 2011004364 subject "Elizabeth I, Queen of England, 1533-1603 Influence.".
- 2011004364 subject "English literature Early modern, 1500-1700 History and criticism.".
- 2011004364 subject "HISTORY / Europe / Great Britain bisacsh.".
- 2011004364 subject "Kings and rulers in literature.".
- 2011004364 subject "LITERARY CRITICISM / Drama bisacsh.".
- 2011004364 subject "LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh.".
- 2011004364 subject "LITERARY CRITICISM / Poetry bisacsh.".
- 2011004364 subject "PR428.E43 R47 2011".
- 2011004364 subject "Queens in literature.".
- 2011004364 tableOfContents "Machine generated contents note: -- Introduction: 'A monarch in writing'; A.Petrina -- Prologue: 'I am Richard the Second'; S.Orgel -- PART I: THE WORD OF A PRINCE: ELIZABETH WRITING -- The Queen's two hands; J.Gibson -- Mary Stuart's Execution and Queen Elizabeth's Divided Self; P.Baseotto -- 'Ma plume vous pourra exprimer': Elizabeth's French Correspondance ; G.Coatalen -- 'Most peereles Poëtresse': The Manuscript Circulation of Elizabeth's Poems; C.Bajetta -- PART II: WE PRINCES ARE SET ON STAGES: MASQUES AND CEREMONIES OF ROYAL SELF-DISPLAY -- The Monarch as Represented in the Ceremony of Coronation; J.Dillon -- Elizabeth's Presence in the Jacobean Masque; E.Botonaki -- Lady of the Lake or Queen of the Ocean? The Representation of Female Power in Prince Henry's Barriers and Tethys' Festival; S.Trevisan -- PART III: IN MIRRORS MORE THAN ONE: ELIZABETH AND REPRESENTATIONS OF FEMALE SOVEREIGNTY -- Performing the Apocalypse: Sibylline Prophecy and Elizabeth I; J.L.Malay -- Under Italian eyes: Petruccio Ubaldini's Verbal Portraits of Queen Elizabeth; G.Iamartino -- Never a Merry World: The Rhetoric of Nostalgia in Elizabethan England; K.Johanson -- No Country for Old Women?; Y.Oram -- 'A queen in jest': Queenship and Historical Subversion in Shakespeare's 3 Henry VI and Richard III; K.Mudan -- Mirrors for Female Rulers: Elizabeth I and the Duchess of Malfi; L.Tosi -- Index.".
- 2011004364 title "Representations of Elizabeth I in early modern culture / edited by Alessandra Petrina, Laura Tosi.".
- 2011004364 type "text".