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- 2011037022 contributor B12143305.
- 2011037022 created "c2011.".
- 2011037022 date "2011".
- 2011037022 date "c2011.".
- 2011037022 dateCopyrighted "c2011.".
- 2011037022 description "Includes bibliographical references and index.".
- 2011037022 description "Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.".
- 2011037022 extent "xxxiv, 249 p. :".
- 2011037022 identifier "9781611474749 (alk. paper)".
- 2011037022 identifier "9781611474756 (electronic)".
- 2011037022 issued "2011".
- 2011037022 issued "c2011.".
- 2011037022 language "eng".
- 2011037022 publisher "Madison : Fairleigh Dickinson University Press ; Lanham, Md. : Rowman & Littlefield,".
- 2011037022 subject "792.9/5 23".
- 2011037022 subject "Listening in literature.".
- 2011037022 subject "Oral communication in literature.".
- 2011037022 subject "PR3091 .W47 2011".
- 2011037022 subject "Shakespeare, William, 1564-1616 Dramatic production.".
- 2011037022 subject "Shakespeare, William, 1564-1616 Film adaptations.".
- 2011037022 subject "Speech in literature.".
- 2011037022 subject "Voice in literature.".
- 2011037022 tableOfContents "Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.".
- 2011037022 title "Who hears in Shakespeare? : auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon.".
- 2011037022 type "text".