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2012014273 contributor B12443568.
2012014273 contributor B12443569.
2012014273 created "[2013]".
2012014273 date "2013".
2012014273 date "[2013]".
2012014273 dateCopyrighted "[2013]".
2012014273 description "Includes bibliographical references (pages 371-380) and index.".
2012014273 description "Machine generated contents note: -- Preface -- Introduction -- Themes of Contemporary Art: What, Why, and How -- A Brief Orientation -- Chapter One: The Art World Expands -- Overview of History and Art History, 1980-2011 -- Traditions Survive, New Trends Arrive -- A Spectrum of Voices Emerges -- Globalization -- Theory Flexes Its Muscles -- Social Experience as Art -- Art Meets Contemporary Culture -- Chapter Two: Identity -- Identity in Art History -- Identity is Communal or Relational -- Identity Politics --- Essentialism --- Diversity --- Hybridity -- Identity Is Constructed --- Otherness and Representation --- Deconstructing Difference --- The Fluidity of Identity -- Post Identity -- Profile: Nancy Burson -- Profile: Shirin Neshat -- Chapter Three: The Body -- Past Figurative Art -- A New Spin on the Body --- The Body Is a Battleground --- The Body Is a Sign --- Performing Bodies -- They Body Beautiful -- Sexual Bodies --- The Gaze --- Sex and Violence -- Mortal Bodies -- Posthuman Bodies -- Profile: Renée Cox -- Profile: Zhang Huan -- Chapter Four: Time -- Changing Views of Time -- Time and Art History -- Time as a Medium --- Live Art --- Film and Video --- Process Art -- Exploring the Structure of Time --- Counting Time --- Measuring Time --- Reordering Time --- Expressing Endlessness -- Profile: Hiroshi Sugimoto -- Profile: Cornelia Parker -- Chapter Five: Memory -- Memory and Art History -- The Texture of Memory --- Memory is Emotional --- Memory is Unreliable --- Memory is Multisensory -- Strategies for Representing the Past --- Displaying Evidence --- Reenacting the Past --- Fracturing Narratives and Reshuffling Memories -- Storehouses of Memory -- Revisiting the Past --- Recovering History --- Rethinking History --- Reframing the Present -- Commemorating the Past -- Profile: Christian Boltanski -- Profile: Brian Tolle -- Chapter Six: Place -- Places Have Meanings -- Places Have Value -- History's Influence --- (Most) Places Exist in Space --- (Most) Works of Art Exist in a Place -- What's Public? What's Private? -- Dislocation -- Looking at Places -- Looking Out for Places -- Fictionalized Places -- Profile: Unilever Series at Tate Modern -- Profile: Andrea Zittel -- Chapter Seven: Language -- Words with Art: A History -- Art with Words: A History -- Recent Theories of Language -- Reasons for Using Language -- Language Makes Meaning -- Language Takes Form --- Transparency and Translucency --- Spatiality and Physicality --- Books Made by Artists --- Art Made with Books -- Wielding the Power of Language -- Naming -- Confronting the Challenge of Translation -- Using Text in the Information Age -- Profile: Nina Katchadourian -- Profile: Janet Cardiff -- Chapter Eight: Science -- What is Science? -- Artists as Amateur Scientists -- Artists Adopt Scientific Tools and Materials --- Creole Technologies --- BioArt -- The Ideology of Science --- Changing Paradigms of Science --- Is Science Running Amok? Activist Art Responds -- The Visual Culture of Science --- Scientific Imaging and Art --- Deconstructing the Visual Culture of Science --- Scientific Displays and Archives --- Science in Popular Culture -- Classifying Humans in the Genomic Age -- Is Nature Natural? -- Marveling at the Universe -- Profile: Patricia Piccinini -- Profile: Eduardo Kac -- Chapter Nine: Spirituality -- Spirituality and Religion -- A Short History -- A Few Strategies --- Manipulating Forms, Materials, and Processes --- Manipulating Meanings and Minds -- Finding Faith and Harboring Doubt -- Expressing Religious Identities -- Facing Death, Doom, and Destruction -- Mingling the Sacred and the Secular -- Profile: José Bedia -- Profile: Bill Viola -- Timeline -- Selected Bibliography -- Index.".
2012014273 extent "xvii, 395 pages :".
2012014273 identifier "9780199797073 (pbk. : acid-free paper)".
2012014273 issued "2013".
2012014273 issued "[2013]".
2012014273 language "eng".
2012014273 publisher "New York ; Oxford : Oxford University Press,".
2012014273 subject "709.04/8 23".
2012014273 subject "ART / History / Contemporary (1945-). bisacsh".
2012014273 subject "Art, Modern 20th century Themes, motives.".
2012014273 subject "Art, Modern 21st century Themes, motives.".
2012014273 subject "N6490 .R5487 2013".
2012014273 tableOfContents "Machine generated contents note: -- Preface -- Introduction -- Themes of Contemporary Art: What, Why, and How -- A Brief Orientation -- Chapter One: The Art World Expands -- Overview of History and Art History, 1980-2011 -- Traditions Survive, New Trends Arrive -- A Spectrum of Voices Emerges -- Globalization -- Theory Flexes Its Muscles -- Social Experience as Art -- Art Meets Contemporary Culture -- Chapter Two: Identity -- Identity in Art History -- Identity is Communal or Relational -- Identity Politics --- Essentialism --- Diversity --- Hybridity -- Identity Is Constructed --- Otherness and Representation --- Deconstructing Difference --- The Fluidity of Identity -- Post Identity -- Profile: Nancy Burson -- Profile: Shirin Neshat -- Chapter Three: The Body -- Past Figurative Art -- A New Spin on the Body --- The Body Is a Battleground --- The Body Is a Sign --- Performing Bodies -- They Body Beautiful -- Sexual Bodies --- The Gaze --- Sex and Violence -- Mortal Bodies -- Posthuman Bodies -- Profile: Renée Cox -- Profile: Zhang Huan -- Chapter Four: Time -- Changing Views of Time -- Time and Art History -- Time as a Medium --- Live Art --- Film and Video --- Process Art -- Exploring the Structure of Time --- Counting Time --- Measuring Time --- Reordering Time --- Expressing Endlessness -- Profile: Hiroshi Sugimoto -- Profile: Cornelia Parker -- Chapter Five: Memory -- Memory and Art History -- The Texture of Memory --- Memory is Emotional --- Memory is Unreliable --- Memory is Multisensory -- Strategies for Representing the Past --- Displaying Evidence --- Reenacting the Past --- Fracturing Narratives and Reshuffling Memories -- Storehouses of Memory -- Revisiting the Past --- Recovering History --- Rethinking History --- Reframing the Present -- Commemorating the Past -- Profile: Christian Boltanski -- Profile: Brian Tolle -- Chapter Six: Place -- Places Have Meanings -- Places Have Value -- History's Influence --- (Most) Places Exist in Space --- (Most) Works of Art Exist in a Place -- What's Public? What's Private? -- Dislocation -- Looking at Places -- Looking Out for Places -- Fictionalized Places -- Profile: Unilever Series at Tate Modern -- Profile: Andrea Zittel -- Chapter Seven: Language -- Words with Art: A History -- Art with Words: A History -- Recent Theories of Language -- Reasons for Using Language -- Language Makes Meaning -- Language Takes Form --- Transparency and Translucency --- Spatiality and Physicality --- Books Made by Artists --- Art Made with Books -- Wielding the Power of Language -- Naming -- Confronting the Challenge of Translation -- Using Text in the Information Age -- Profile: Nina Katchadourian -- Profile: Janet Cardiff -- Chapter Eight: Science -- What is Science? -- Artists as Amateur Scientists -- Artists Adopt Scientific Tools and Materials --- Creole Technologies --- BioArt -- The Ideology of Science --- Changing Paradigms of Science --- Is Science Running Amok? Activist Art Responds -- The Visual Culture of Science --- Scientific Imaging and Art --- Deconstructing the Visual Culture of Science --- Scientific Displays and Archives --- Science in Popular Culture -- Classifying Humans in the Genomic Age -- Is Nature Natural? -- Marveling at the Universe -- Profile: Patricia Piccinini -- Profile: Eduardo Kac -- Chapter Nine: Spirituality -- Spirituality and Religion -- A Short History -- A Few Strategies --- Manipulating Forms, Materials, and Processes --- Manipulating Meanings and Minds -- Finding Faith and Harboring Doubt -- Expressing Religious Identities -- Facing Death, Doom, and Destruction -- Mingling the Sacred and the Secular -- Profile: José Bedia -- Profile: Bill Viola -- Timeline -- Selected Bibliography -- Index.".
2012014273 title "Themes of contemporary art : visual art after 1980 / Jean Robertson, Herron School of Art and Design, Indiana University-Purdue University, Indianapolis, Craig McDaniel, Herron School of Art and Design, Indiana University-Purdue University, Indianapolis.".
2012014273 type "text".