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- 2012019828 contributor B12450067.
- 2012019828 created "2013.".
- 2012019828 date "2013".
- 2012019828 date "2013.".
- 2012019828 dateCopyrighted "2013.".
- 2012019828 description "Includes bibliographical references ([311]-328) and indexes.".
- 2012019828 description "Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion.".
- 2012019828 extent "357 p. ;".
- 2012019828 identifier "9780415623919".
- 2012019828 isPartOf "Routledge studies in social and political thought ; 77".
- 2012019828 issued "2013".
- 2012019828 issued "2013.".
- 2012019828 language "eng".
- 2012019828 publisher "New York : Routledge,".
- 2012019828 spatial "Europe".
- 2012019828 subject "792.094 23".
- 2012019828 subject "Comedy.".
- 2012019828 subject "PN2570 .S93 2013".
- 2012019828 subject "Theater Europe History.".
- 2012019828 subject "Theater and society Europe History.".
- 2012019828 tableOfContents "Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion.".
- 2012019828 title "Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / Árpád Szakolczai.".
- 2012019828 type "text".