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- 2012027254 abstract "Examines Strauss's unique orchestration skills as exemplified in his tone poems and the orchestral passages of his operas while shedding further light on the controversies surrounding Strauss with respect to his music, modernity, and his personal life as it affected his music.".
- 2012027254 contributor B12458738.
- 2012027254 created "2012.".
- 2012027254 date "2012".
- 2012027254 date "2012.".
- 2012027254 dateCopyrighted "2012.".
- 2012027254 description "Examines Strauss's unique orchestration skills as exemplified in his tone poems and the orchestral passages of his operas while shedding further light on the controversies surrounding Strauss with respect to his music, modernity, and his personal life as it affected his music.".
- 2012027254 description "Includes bibliographical references (p. 209-217) and index.".
- 2012027254 extent "v, 232 p. :".
- 2012027254 identifier "0773430784".
- 2012027254 identifier "9780773430785".
- 2012027254 issued "2012".
- 2012027254 issued "2012.".
- 2012027254 language "eng".
- 2012027254 publisher "Lewiston, NY : Edwin Mellen Press,".
- 2012027254 subject "782.1092 23".
- 2012027254 subject "Instrumentation and orchestration History.".
- 2012027254 subject "ML410.S93 R88 2012".
- 2012027254 subject "Orchestral music History and criticism.".
- 2012027254 subject "Strauss, Richard, 1864-1949. Operas.".
- 2012027254 subject "Symphonic poem.".
- 2012027254 title "The origins and roles of instrumental music in the operas of Richard Strauss : from concert hall to opera house / by Malcolm Rowat ; with a foreword by John Deathridge.".
- 2012027254 type "text".