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- 2012033057 contributor B12465407.
- 2012033057 date "2013".
- 2012033057 description "Includes bibliographical references (pages 269-281), discography (pages 283-285), and index.".
- 2012033057 description "Theory and methodology : music making in a digitalized world. Globalization and digitalization in music ; Theoretical frame ; Methodological approach -- Ethnography : musicians from Beirut born during the Lebanese civil war. Experimental music ; Metal music and classic rock ; Urban music ; Rap ; Transnational networks (human hubs) ; Music as a media product ; Musicians as actors -- Analysis : six key tracks from Beirut. Zeid Hamdan: Aranis (remixed) ; Garo Gdanian: Remains of a bloodbath ; Mazen Kerbaj : Blblb flblb, Zrrrt, PIIIIIIIIIIII ; Taga of Daga ; Raed Yassin : Civil war tapes ; Charbel Haber : Track 5 : Rayess Bek : Schizophrenia -- History : Music and noise in Lebanon from the past and present. Ground setting : the urbanization and Europeanization of music in the Arab world ; Modern music from Cairo, old music from Aleppo ; European music and Christian hymns in Beirut (1926-1948) ; The creation of a Lebanese music (1948-1967) ; Nasserism versus tourism (1952-1967) ; The rise of dissident culture and alternative music (1968-1975) ; Bombs, protest, propaganda and rock music from the Lebanese civil war (1975-1990) ; Pan-Arabic pop and the 2006 war -- Meaning : reading Lebanese music making from different perspectives. Historical perspectives ; Sociopolitical perspectives ; Geopolitical perspectives ; Psychological perspectives ; Aesthetical perspectives ; Euro-American perspectives.".
- 2012033057 extent "xiv, 303 pages :".
- 2012033057 identifier "9780203598252 (ebook)".
- 2012033057 identifier "9780415808132 (hardback : alk. paper)".
- 2012033057 isPartOf "Routledge studies in ethnomusicology ; 3".
- 2012033057 issued "2013".
- 2012033057 language "eng".
- 2012033057 spatial "Lebanon Beirut".
- 2012033057 spatial "Lebanon Beirut.".
- 2012033057 spatial "Lebanon.".
- 2012033057 subject "780.95692/5 23".
- 2012033057 subject "ML3917.L43 B87 2013".
- 2012033057 subject "Music Lebanon Beirut 20th century History and criticism.".
- 2012033057 subject "Music and globalization Lebanon.".
- 2012033057 subject "Music and transnationalism Lebanon.".
- 2012033057 subject "Popular music Lebanon Beirut History and criticism.".
- 2012033057 subject "Popular music Political aspects Lebanon Beirut.".
- 2012033057 subject "Popular music Social aspects Lebanon Beirut.".
- 2012033057 tableOfContents "Theory and methodology : music making in a digitalized world. Globalization and digitalization in music ; Theoretical frame ; Methodological approach -- Ethnography : musicians from Beirut born during the Lebanese civil war. Experimental music ; Metal music and classic rock ; Urban music ; Rap ; Transnational networks (human hubs) ; Music as a media product ; Musicians as actors -- Analysis : six key tracks from Beirut. Zeid Hamdan: Aranis (remixed) ; Garo Gdanian: Remains of a bloodbath ; Mazen Kerbaj : Blblb flblb, Zrrrt, PIIIIIIIIIIII ; Taga of Daga ; Raed Yassin : Civil war tapes ; Charbel Haber : Track 5 : Rayess Bek : Schizophrenia -- History : Music and noise in Lebanon from the past and present. Ground setting : the urbanization and Europeanization of music in the Arab world ; Modern music from Cairo, old music from Aleppo ; European music and Christian hymns in Beirut (1926-1948) ; The creation of a Lebanese music (1948-1967) ; Nasserism versus tourism (1952-1967) ; The rise of dissident culture and alternative music (1968-1975) ; Bombs, protest, propaganda and rock music from the Lebanese civil war (1975-1990) ; Pan-Arabic pop and the 2006 war -- Meaning : reading Lebanese music making from different perspectives. Historical perspectives ; Sociopolitical perspectives ; Geopolitical perspectives ; Psychological perspectives ; Aesthetical perspectives ; Euro-American perspectives.".
- 2012033057 title "Local music scenes and globalization : transnational platforms in Beirut / Thomas Burkhalter.".
- 2012033057 type "text".