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- 2012037863 contributor B12470790.
- 2012037863 date "2013".
- 2012037863 description "Includes bibliographical references and index.".
- 2012037863 description "Introduction. The blackness of things -- Fred Wilson and the rhetoric of redress -- Lorna Simpson's figurative transitions -- Glenn Ligon and the matter of fugitivity -- Renée Green's diasporic imagination -- Epilogue. Alternate routes.".
- 2012037863 extent "pages :".
- 2012037863 identifier "9780226115702 (cloth : alkaline paper)".
- 2012037863 issued "2013".
- 2012037863 language "eng".
- 2012037863 spatial "United States.".
- 2012037863 subject "704.03/96073 23".
- 2012037863 subject "African American artists.".
- 2012037863 subject "Green, Renée Criticism and interpretation.".
- 2012037863 subject "Installations (Art) United States.".
- 2012037863 subject "Ligon, Glenn, 1960- Criticism and interpretation.".
- 2012037863 subject "N6512.5.I56 C66 2013".
- 2012037863 subject "Simpson, Lorna, 1960- Criticism and interpretation.".
- 2012037863 subject "Slavery in art.".
- 2012037863 subject "Wilson, Fred, 1954- Criticism and interpretation.".
- 2012037863 tableOfContents "Introduction. The blackness of things -- Fred Wilson and the rhetoric of redress -- Lorna Simpson's figurative transitions -- Glenn Ligon and the matter of fugitivity -- Renée Green's diasporic imagination -- Epilogue. Alternate routes.".
- 2012037863 title "Bound to appear : art, slavery, and the site of blackness in multicultural America / Huey Copeland.".
- 2012037863 type "text".