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- 2012038529 contributor B12471495.
- 2012038529 date "2013".
- 2012038529 description "Includes bibliographical references (page 193-202) and index.".
- 2012038529 description "Introduction: Unmaking vulnerability -- Part I, The cinematic construction of vulnerability: The furies, the men, and the method: Cinematic languages of vulnerability -- Victimized, violent and damned: Identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war -- Part II, New vulnerability after The Cold War: The body at war: Sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane -- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project -- Part III, Vulnerability beyond the body: The violated body after 9/11: Torture and the legacy of vulnerability in 24 and Battlestar Galactica -- Vulnerability by proxy: Deadwood and the future of television form -- Afterword: Female power and Tarantino's Basterds.".
- 2012038529 extent "ix, 211 pages :".
- 2012038529 identifier "9780813561035 (pbk. : alk. paper)".
- 2012038529 identifier "9780813561042 (hardcover : alk. paper)".
- 2012038529 issued "2013".
- 2012038529 language "eng".
- 2012038529 spatial "United States.".
- 2012038529 subject "791.43/655 23".
- 2012038529 subject "Motion pictures United States.".
- 2012038529 subject "PN1995.9.V85 H34 2013".
- 2012038529 subject "Pain in motion pictures.".
- 2012038529 subject "Power (Social sciences) in motion pictures.".
- 2012038529 subject "Sex role in motion pictures.".
- 2012038529 subject "Vulnerability (Personality trait) in motion pictures.".
- 2012038529 tableOfContents "Introduction: Unmaking vulnerability -- Part I, The cinematic construction of vulnerability: The furies, the men, and the method: Cinematic languages of vulnerability -- Victimized, violent and damned: Identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war -- Part II, New vulnerability after The Cold War: The body at war: Sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane -- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project -- Part III, Vulnerability beyond the body: The violated body after 9/11: Torture and the legacy of vulnerability in 24 and Battlestar Galactica -- Vulnerability by proxy: Deadwood and the future of television form -- Afterword: Female power and Tarantino's Basterds.".
- 2012038529 title "Reel vulnerability : power, pain, and gender in contemporary American film and television / Sarah Hagelin.".
- 2012038529 type "text".