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• 2012367535 abstract "The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using African American published texts, American archives and unpublished writings, and contemporaneous European discourses, this book focuses both on the canonical figures of the New Negro Movement and African American culture, such as W.E.B. Du Bois, Booker T. Washington, Alain Locke, and Richard Wright, and on writers who have not received as much scholarly attention despite their significance for the movement, such as Wallace Thurman. Its perspective combines gender, sexuality, and race studies with a thorough literary analysis and historicist investigation, an approach that has not been extensively applied to analyze the New Negro Renaissance.".
• 2012367535 alternative "Black authorship, masculinity, and sexuality in the Harlem renaissance".
• 2012367535 contributor B12539369.
• 2012367535 coverage "United States Civilization African influences.".
• 2012367535 created "c2011.".
• 2012367535 date "2011".
• 2012367535 date "c2011.".
• 2012367535 dateCopyrighted "c2011.".
• 2012367535 description "Ch.1. Prologue : The question of manhood in the Booker T. Washington - W.E.B. Du Bois debate -- PART I : Alain Locke and the new negro -- Ch. 2. Midwifery and camaraderie : Alain Locke's tropes of gender and sexuality -- Ch. 3 Arts, war, and the brave new negro : gendering the black aesthetic -- -- PART 2 : Wallace Thurman and niggerati manor. Ch. 4. Gangsters and bootblacks, rent parties and railroad flats : Wallace Thurman's challenges to the black bourgeoisie -- Ch. 5. Discontents of the black dandy -- Ch. 6. Epilogue : Richard Wright's interrogations of the new negro.".
• 2012367535 description "Includes bibliographical references (p. 255-265) and index.".
• 2012367535 description "The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using African American published texts, American archives and unpublished writings, and contemporaneous European discourses, this book focuses both on the canonical figures of the New Negro Movement and African American culture, such as W.E.B. Du Bois, Booker T. Washington, Alain Locke, and Richard Wright, and on writers who have not received as much scholarly attention despite their significance for the movement, such as Wallace Thurman. Its perspective combines gender, sexuality, and race studies with a thorough literary analysis and historicist investigation, an approach that has not been extensively applied to analyze the New Negro Renaissance.".
• 2012367535 extent "280 p. :".
• 2012367535 identifier "9089643192 (isbn)".
• 2012367535 identifier "9789048514236 (e-isbn)".
• 2012367535 identifier "9789089643193 (isbn)".
• 2012367535 isPartOf "American studies (Amsterdam, Netherlands)".
• 2012367535 isPartOf "American studies".
• 2012367535 issued "2011".
• 2012367535 issued "c2011.".
• 2012367535 language "eng".
• 2012367535 publisher "[Amsterdam] : Amsterdam University Press,".
• 2012367535 spatial "United States Civilization African influences.".
• 2012367535 subject "African Americans Intellectual life.".
• 2012367535 subject "American literature African American authors History and criticism.".
• 2012367535 subject "PS153.N5 P63 2011".
• 2012367535 tableOfContents "Ch.1. Prologue : The question of manhood in the Booker T. Washington - W.E.B. Du Bois debate -- PART I : Alain Locke and the new negro -- Ch. 2. Midwifery and camaraderie : Alain Locke's tropes of gender and sexuality -- Ch. 3 Arts, war, and the brave new negro : gendering the black aesthetic -- -- PART 2 : Wallace Thurman and niggerati manor. Ch. 4. Gangsters and bootblacks, rent parties and railroad flats : Wallace Thurman's challenges to the black bourgeoisie -- Ch. 5. Discontents of the black dandy -- Ch. 6. Epilogue : Richard Wright's interrogations of the new negro.".
• 2012367535 title "Black authorship, masculinity, and sexuality in the Harlem renaissance".
• 2012367535 title "The making of the new negro : black authorship, masculinity, and sexuality in the Harlem renaissance / Anna Pochmara.".
• 2012367535 type "text".