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- 2013014433 contributor B12721300.
- 2013014433 date "2013".
- 2013014433 description "Includes bibliographical references.".
- 2013014433 description "Introduction -- Screen idols & female admirers in The white sheik (Fellini 1952), The purple rose of Cairo (Allen, 1985) and Nurse Betty (Labute, 2000) -- The art film reconsidered: Blow-up (Antonioni, 1966) and Blow out (Depalma, 1981) -- The evolving western: from America to Italy and back in One upon a time in the West (Leone, 1968) and Kill Bill: volumes 1 & 2 (Tarantino, 2003 & 2004) -- Neorealism revisited by African American directors in the new millennium: Precious (Daniels, 2009) and Miracle at St. Anna (Lee, 2008) -- Whither the remake? -- Conclusion.".
- 2013014433 extent "pages cm.".
- 2013014433 identifier "9781438450254 (hardcover : alk. paper)".
- 2013014433 isPartOf "SUNY series in Italian/American culture".
- 2013014433 issued "2013".
- 2013014433 language "eng".
- 2013014433 spatial "Italy".
- 2013014433 spatial "United States".
- 2013014433 subject "791.430973 23".
- 2013014433 subject "Motion pictures Italy Influence.".
- 2013014433 subject "Motion pictures United States History 20th century.".
- 2013014433 subject "PN1993.5.U6 C315 2013".
- 2013014433 tableOfContents "Introduction -- Screen idols & female admirers in The white sheik (Fellini 1952), The purple rose of Cairo (Allen, 1985) and Nurse Betty (Labute, 2000) -- The art film reconsidered: Blow-up (Antonioni, 1966) and Blow out (Depalma, 1981) -- The evolving western: from America to Italy and back in One upon a time in the West (Leone, 1968) and Kill Bill: volumes 1 & 2 (Tarantino, 2003 & 2004) -- Neorealism revisited by African American directors in the new millennium: Precious (Daniels, 2009) and Miracle at St. Anna (Lee, 2008) -- Whither the remake? -- Conclusion.".
- 2013014433 title "The transatlantic gaze : Italian cinema, American film / Mary Ann McDonald Carolan.".
- 2013014433 type "text".