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- 2013037965 contributor B12745872.
- 2013037965 date "2014".
- 2013037965 description "Includes bibliographical references and index.".
- 2013037965 description "Ten points to begin -- A tear that does not drop, but folds -- Crying is structured like a language -- Tears without bodies -- Film theory's absent center -- Emotion, feeling, excess, affect -- Affective fallacies -- Reading for affect -- Mise-n'en-scene: formalism after presence -- Interval: solitude -- The illumination of light -- Visible darkness: optics according to Augustine -- Light, the peculiar -- Ongoing dialogues with loss -- Grief without sublation -- Grief and the undialectical image -- Ma mort indialectique -- Extra missing things -- Acedia and the Pose -- Where being would have been -- A still and heavy pain -- Aesthetic exclusions and the worse than the worst -- Philosophy of the retch -- Aesthetics' tastes -- What is worse than the worst -- Objects, abjects, close-ups -- Laura Dern's vomit -- Wild hearts, sick figures -- Disgust and the cinema of haut go't -- Gastronomy according to peter greenaway -- Dissecting qualities -- Rot's progress -- On having an excellent palate -- Interval: formalism and affectivity -- Intermittency, embarrassment, dismay -- These things that creep, stir and squirm -- Heksebrev -- Interruption or the interval -- Esmoi, esmais, émoi -- Treading red blue water -- Nothing/will have taken place/but the place: open water anxiety -- Something or nothing -- A shark is a form of time -- A shark punctures a line -- Death is a turn of the color wheel -- Nothing but the place -- To begin again: the ingression of joyful forms -- Affirmable modes of recurrence -- (Shall we) let x = -- Putting one's faith in form.".
- 2013037965 extent "pages ;".
- 2013037965 identifier "9780822356448 (cloth : alk. paper)".
- 2013037965 identifier "9780822356561 (pbk. : alk. paper)".
- 2013037965 issued "2014".
- 2013037965 language "eng".
- 2013037965 subject "791.4301/5 23".
- 2013037965 subject "Affect (Psychology)".
- 2013037965 subject "Critical theory.".
- 2013037965 subject "Film criticism.".
- 2013037965 subject "Formalism (Literary analysis)".
- 2013037965 subject "PN1995 .B75 2014".
- 2013037965 tableOfContents "Ten points to begin -- A tear that does not drop, but folds -- Crying is structured like a language -- Tears without bodies -- Film theory's absent center -- Emotion, feeling, excess, affect -- Affective fallacies -- Reading for affect -- Mise-n'en-scene: formalism after presence -- Interval: solitude -- The illumination of light -- Visible darkness: optics according to Augustine -- Light, the peculiar -- Ongoing dialogues with loss -- Grief without sublation -- Grief and the undialectical image -- Ma mort indialectique -- Extra missing things -- Acedia and the Pose -- Where being would have been -- A still and heavy pain -- Aesthetic exclusions and the worse than the worst -- Philosophy of the retch -- Aesthetics' tastes -- What is worse than the worst -- Objects, abjects, close-ups -- Laura Dern's vomit -- Wild hearts, sick figures -- Disgust and the cinema of haut go't -- Gastronomy according to peter greenaway -- Dissecting qualities -- Rot's progress -- On having an excellent palate -- Interval: formalism and affectivity -- Intermittency, embarrassment, dismay -- These things that creep, stir and squirm -- Heksebrev -- Interruption or the interval -- Esmoi, esmais, émoi -- Treading red blue water -- Nothing/will have taken place/but the place: open water anxiety -- Something or nothing -- A shark is a form of time -- A shark punctures a line -- Death is a turn of the color wheel -- Nothing but the place -- To begin again: the ingression of joyful forms -- Affirmable modes of recurrence -- (Shall we) let x = -- Putting one's faith in form.".
- 2013037965 title "The forms of the affects / Eugenie Brinkema.".
- 2013037965 type "text".