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- 2013044656 contributor B12752806.
- 2013044656 date "2014".
- 2013044656 description "Machine generated contents note: -- List of FiguresNotes on ContributorsForeword: The Sinophone Redistribution of the Audible; Shih Shu-meiAcknowledgments Notes on Chinese names and film titlesPART I: THEORISING SINOPHONE CINEMAS1. Framing Sinophone Cinemas; Audrey Yue and Olivia Khoo2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies; Sheldon Lu 3. Alter-centering Sinophone Cinema; Yiman Wang 4. Festivals, Censorship and the Canon: the Makings of Sinophone Cinemas; Yifen T. Beus 5. The Voice of the Sinophone; Song Hwee Lim6. The Sounds of Language: Tan Pin Pin's Sinophone Cinema; Olivia Khoo PART II: CONTEMPORARY SINOPHONE CINEMAS7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late 1960s Hong Kong Musicals; Jennifer Feeley 8. Sinophone Libidinal Economy in the Age of Neoliberalisation and Mainlandisation: Masculinities in Hong Kong SAR New Wave Cinema; Mirana M. Szeto9. 'Singlish' and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean cinema; Alison M. Groppe10. British Chinese Short Films: Challenging the Limits of the Sinophone; Felicia Chan and Andy Willis 11. Contemporary Sinophone Cinema: Australia-China Co-Productions; Audrey Yue BibliographyFilmography.".
- 2013044656 extent "pages cm".
- 2013044656 identifier "9781137311191 (hardback)".
- 2013044656 identifier lgcover.9781137311191.jpg.
- 2013044656 issued "2014".
- 2013044656 language "eng".
- 2013044656 spatial "China.".
- 2013044656 subject "791.43089/951 23".
- 2013044656 subject "Motion picture producers and directors China.".
- 2013044656 subject "Motion pictures China.".
- 2013044656 subject "Motion pictures, Chinese.".
- 2013044656 subject "PERFORMING ARTS / Film & Video / General. bisacsh".
- 2013044656 subject "PERFORMING ARTS / Film & Video / History & Criticism. bisacsh".
- 2013044656 subject "PN1993.5.C4 S84 2014".
- 2013044656 subject "SOCIAL SCIENCE / Media Studies. bisacsh".
- 2013044656 tableOfContents "Machine generated contents note: -- List of FiguresNotes on ContributorsForeword: The Sinophone Redistribution of the Audible; Shih Shu-meiAcknowledgments Notes on Chinese names and film titlesPART I: THEORISING SINOPHONE CINEMAS1. Framing Sinophone Cinemas; Audrey Yue and Olivia Khoo2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies; Sheldon Lu 3. Alter-centering Sinophone Cinema; Yiman Wang 4. Festivals, Censorship and the Canon: the Makings of Sinophone Cinemas; Yifen T. Beus 5. The Voice of the Sinophone; Song Hwee Lim6. The Sounds of Language: Tan Pin Pin's Sinophone Cinema; Olivia Khoo PART II: CONTEMPORARY SINOPHONE CINEMAS7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late 1960s Hong Kong Musicals; Jennifer Feeley 8. Sinophone Libidinal Economy in the Age of Neoliberalisation and Mainlandisation: Masculinities in Hong Kong SAR New Wave Cinema; Mirana M. Szeto9. 'Singlish' and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean cinema; Alison M. Groppe10. British Chinese Short Films: Challenging the Limits of the Sinophone; Felicia Chan and Andy Willis 11. Contemporary Sinophone Cinema: Australia-China Co-Productions; Audrey Yue BibliographyFilmography.".
- 2013044656 title "Sinophone cinemas / edited by Audrey Yue, The University of Melbourne, Australia, and Olivia Khoo, Monash University, Australia.".
- 2013044656 type "text".