Data Portal @ linkeddatafragments.org

Matches in Library of Congress for { <http://lccn.loc.gov/2013337818> ?p ?o. }

• 2013337818 abstract "For the exhibition, the organizers prepared scenographic reconstruction of a roundabout, a major attraction in major European cities in the late eighteenth and early nineteenth century. The roundabouts were rod-shaped buildings built especially to house large panoramas. In the exhibition, you will see a view of Rio de Janeiro, shown in Paris in 1824. The image, which has 11 meters of perimeter in a circular structure, was the first representation of Brazil in Europe. There is also a room equipped with five projectors and a screen 3 meters high by 20 meters long, semicircular in shape, with projections of sequential panoramas of Brazilian cities between photographs and prints. The idea is to give visitors the feeling then experienced by visitors of urban entertainment which is the precursor of cinema. Another room dedicated to the history of crafts related to the capture and reproducibility of image displays and describes the materials and techniques used in the iconographic and photographic record of the nineteenth century lithographic stones, darkrooms (replicas of early equipment of the sixteenth and seventeenth instrumentalised artists in the period before the invention of photography), cameras, lenses and equipment that belonged to photographer Marc Ferrez, among other items.The printing techniques, along with photography, would favor the development of procedures for image reproduction by photomechanical means, which would further facilitate their multiplication. Coupled with this expansion of communication through the circulation of images in multiple media, the widescreen settled along the nineteenth century as a major form of iconographic representation. This exhibition, from the selection of works from the collection of IMS.".
• 2013337818 alternative "Paisagem brasileira no acervo do Instituto Moreira Salles".
• 2013337818 contributor B12772069.
• 2013337818 contributor B12772070.
• 2013337818 coverage "Brazil In art Exhibitions.".
• 2013337818 coverage "Rio de Janeiro (Brazil) In art Exhibitions.".
• 2013337818 created "c2012.".
• 2013337818 date "2012".
• 2013337818 date "c2012.".
• 2013337818 dateCopyrighted "c2012.".
• 2013337818 description "For the exhibition, the organizers prepared scenographic reconstruction of a roundabout, a major attraction in major European cities in the late eighteenth and early nineteenth century. The roundabouts were rod-shaped buildings built especially to house large panoramas. In the exhibition, you will see a view of Rio de Janeiro, shown in Paris in 1824. The image, which has 11 meters of perimeter in a circular structure, was the first representation of Brazil in Europe. There is also a room equipped with five projectors and a screen 3 meters high by 20 meters long, semicircular in shape, with projections of sequential panoramas of Brazilian cities between photographs and prints. The idea is to give visitors the feeling then experienced by visitors of urban entertainment which is the precursor of cinema. Another room dedicated to the history of crafts related to the capture and reproducibility of image displays and describes the materials and techniques used in the iconographic and photographic record of the nineteenth century lithographic stones, darkrooms (replicas of early equipment of the sixteenth and seventeenth instrumentalised artists in the period before the invention of photography), cameras, lenses and equipment that belonged to photographer Marc Ferrez, among other items.The printing techniques, along with photography, would favor the development of procedures for image reproduction by photomechanical means, which would further facilitate their multiplication. Coupled with this expansion of communication through the circulation of images in multiple media, the widescreen settled along the nineteenth century as a major form of iconographic representation. This exhibition, from the selection of works from the collection of IMS.".
• 2013337818 description "Includes bibliographical references.".
• 2013337818 extent "236 p. :".
• 2013337818 identifier "8586707775".
• 2013337818 identifier "9788586707773".
• 2013337818 issued "2012".
• 2013337818 issued "c2012.".
• 2013337818 language "por".
• 2013337818 publisher "São Paulo, SP : IMS-Instituto Moreira Salles : FAAP,".
• 2013337818 spatial "Brazil In art Exhibitions.".
• 2013337818 spatial "Brazil".
• 2013337818 spatial "Rio de Janeiro (Brazil) In art Exhibitions.".
• 2013337818 subject "Instituto Moreira Salles Exhibitions.".
• 2013337818 subject "Landscape photography Brazil Exhibitions.".
• 2013337818 subject "Landscapes in art Exhibitions.".
• 2013337818 subject "ND1460.R57 P36 2012".
• 2013337818 title "Paisagem brasileira no acervo do Instituto Moreira Salles".
• 2013337818 title "Panoramas : a paisagem brasileira no acervo do Instituto Moreira Salles / curadoria da exposição, Carlos Martins e Sergio Burgi ; organização do catálogo, Carlos Martins, Sergio Burgi e Julia Kovensky.".
• 2013337818 type "text".