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- 2013560242 alternative "How electronic music was smuggled into the mainstream".
- 2013560242 contributor B12825282.
- 2013560242 created "2012.".
- 2013560242 date "2012".
- 2013560242 date "2012.".
- 2013560242 dateCopyrighted "2012.".
- 2013560242 description "Includes bibliographical references (p. [251]-253), filmography, discography and lists of television shows, etc. (p. [233]-249) and index.".
- 2013560242 description "More music than they ever had before -- I like music that explodes into space -- The privilege of ignoring conventions -- Out of the ordinary -- Manhattan researchers -- Because a fire was in my head -- Moog men -- White noise -- It rhymes with vogue.".
- 2013560242 extent "xi, 272 p. :".
- 2013560242 identifier "082642452X".
- 2013560242 identifier "9780826424525".
- 2013560242 issued "2012".
- 2013560242 issued "2012.".
- 2013560242 language "eng".
- 2013560242 publisher "New York : Bloomsbury,".
- 2013560242 subject "786.7 23".
- 2013560242 subject "Electronic music History and criticism.".
- 2013560242 subject "ML1380 .B745 2012".
- 2013560242 subject "Popular music History and criticism.".
- 2013560242 tableOfContents "More music than they ever had before -- I like music that explodes into space -- The privilege of ignoring conventions -- Out of the ordinary -- Manhattan researchers -- Because a fire was in my head -- Moog men -- White noise -- It rhymes with vogue.".
- 2013560242 title "How electronic music was smuggled into the mainstream".
- 2013560242 title "The sound of tomorrow : how electronic music was smuggled into the mainstream / Mark Brend.".
- 2013560242 type "text".