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- 48002782 contributor B1128027.
- 48002782 contributor B1128028.
- 48002782 created "1948.".
- 48002782 date "1948".
- 48002782 date "1948.".
- 48002782 dateCopyrighted "1948.".
- 48002782 description "Introductory remarks, by A. T. Davison.--The raison d'être of criticism in the arts, by E. M. Forster.--The scope of music criticism, by Roger Sessions.--The critical nature of a work of art, by Edgar Wind.--The performer as critic, by Olga Samaroff.--The art of judging music, by Virgil Thomson.--Consequences of the recorded performance, by Otto Kinkeldey.--The equipment of the musical journalist, by P. H. Lang.--The future of musical patronage in America, by Huntington Cairns.".
- 48002782 extent "viii, 181 p. ;".
- 48002782 identifier "0804605602".
- 48002782 issued "1948".
- 48002782 issued "1948.".
- 48002782 language "eng".
- 48002782 publisher "Cambridge : Harvard Univ. Press,".
- 48002782 subject "780.072".
- 48002782 subject "ML3880 .S95".
- 48002782 subject "Music.".
- 48002782 subject "Musical criticism.".
- 48002782 tableOfContents "Introductory remarks, by A. T. Davison.--The raison d'être of criticism in the arts, by E. M. Forster.--The scope of music criticism, by Roger Sessions.--The critical nature of a work of art, by Edgar Wind.--The performer as critic, by Olga Samaroff.--The art of judging music, by Virgil Thomson.--Consequences of the recorded performance, by Otto Kinkeldey.--The equipment of the musical journalist, by P. H. Lang.--The future of musical patronage in America, by Huntington Cairns.".
- 48002782 title "Music and criticism, a symposium; ed. by Richard F. French.".
- 48002782 type "text".